Cantata No. 161 and Cello Suite No. 1 on Viola

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Chris Thile talks with host Brian McCreath about playing Bach's music on the mandolin and his recording of solo violin sonatas and partitas.

On the program:

Two-Part Inventions Nos. 8 in F, BWV 779, 11 in G minor, BWV 782, & 10 in G, BWV 781 - Till Fellner, piano

Cantata BWV 49 Ich geh' und suche mit Verlangen - Caroline Weynants, soprano; Lieven Termont, bass; Il Gardelino, Marcel Ponseele, director

Partita No. 1 in B minor, BWV 1002: VIII. Double - Chris Thile, mandolin

Sonata No. 1 in G minor, BWV 1001 - Chris Thile, mandolin
 

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On the program:

Chorale Prelude on Ein feste Burg ist unser Gott, BWV 720 - Chrisopher Herrick, organ (Metzler Organ at the Jesuit Church, Lucerne, Switzerland)

Ein feste Burg ist unser Gott (Martin Luther, harm. J.S. Bach) - Chamber Choir of Europe, Nicol Matt, conductor

Cantata BWV 80 Ein feste Burg ist unser Gott - Joanne Lunn, soprano;  William Towers, alto;  James Gilchrist, tenor;  Peter Harvey, bass;  Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor

Brandenburg Concerto No. 6 in B-flat, BWV 1051 - Dunedin Consort, John Butt, director

Chorale Prelude on Ein feste Burg ist unser Gott, BWV 720, arr. Samuil Feinberg - Martin Roscoe, piano

Brandenburg Five with Bezuidenhout

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On the program:

Chorale prelude:  Wachet auf, ruft uns die Stimme, BWV 645 - German Brass

Cello Suite No. 1 in G, BWV 1007 - Helen Callus, viola

Cantata BWV 161 Komm, du süße Todesstunde (translation) - Matthew White, counter tenor;  Hans Jorg Mammel, tenor;  Collegium Vocale Gent, Philippe Herreweghe, conductor

Chromatic Fantasy and Fugue in D minor, BWV 903 - Joyce Yang, piano

Chorale prelude:  Jesu, Joy of Man's Desiring, from Cantata BWV 147 (conclusion) - German Brass

(image of Helen Callus courtesy of the artist)

WGBH Chris Botti Contest: Nov 2014